Overwhelming debut about the doubts of the director Nance about his relationship with a beautiful young woman. He combines personal experiences with fiction, documentary and various animation styles. A film filled with vulnerability and humour; enthusiasm leaps at you from the screen. 　　One evening in 2006, the young American filmmaker Terence Nance receives a phone call from the woman he had been trying to build up a relationship with for some time. She can’t come. He starts having his doubts. Why did she back out? 　　Open-hearted, sharp and playful, Nance tries in An Oversimplification of Her Beauty to trace all the elements of his feelings about the evening back to their true origins. Fantasies, feelings and memories roll over the screen in the form of documentary footage, live action and a wide range of animation styles. And in addition there are the inevitable questions that the maker must pose: How well does he know himself? Is he not being deceived by his own feelings? 　　For a phenomenon that everybody occasionally experiences, the starting point for An Oversimplification of Her Beauty is surprisingly seldom the subject of films. What goes on in your body as you experience emotions at a certain point? And how ‘sure’ is that moment really?

背景设定在2010年大选，本剧聚焦英国尼克·克莱格（Nick Clegg）从没落自由党的领导人成为“改变国家命运”的英国现任副首相，与大卫·卡梅伦（David Cameron）及其保守党组成英国战后以来首个联合政府的故事。

贫农妇女索阔洛娃在革命前受够地主、富农的压迫，出嫁后又常常挨丈夫的打，在家中没有地位。革命后，索阔洛娃积极参加集体农庄的劳动，后经区委书记支持被选为集体农庄的主席。这个扣子对这位朴实的农村妇女来说是太重了。好既要对付农庄中暗藏的敌对分子，又要对付落后分子，还要应付开会时经常给她出难题、向她捣乱的二流子们。丈夫也不支持她，总是扯她的后腿。她感到工作是那样艰难，但是她并没有被这一切吓倒。她以身作则，耐... 　　这部影片表现了在新的社会条件影响下，一个人会发生怎样的变化。通过富有生活气息的剧作，展示出苏联农业集体化时期一个农庄的发展。在这一背景下塑造了一个热爱革命，对未来充满信心的普通农村妇女形象。这个人物的成长是合乎逻辑的，真实可信的。从一个人物身上既可看到俄罗斯妇女传统的美德，又可看到在革命的影响下所产生的新型妇女的品质。索阔洛娃的形象成为30年代正面主人公的典型。她的命运反映出革命群众的觉醒，以及人...

东京的宁静角落，生活着一个幸福快乐的三口之家。而今，这户人家即将迎来新的成员。十月怀胎，一朝分娩，再为人母的女主人（麻生久美子 配音）怀抱着襁褓…

在东京的宁静角落，生活着幸福的三口之家。而今，这户人家迎来了新生命。爱撒娇的儿子小君，迎来刚出生的妹妹，他感到父母对自己的爱被妹妹夺走，正在恼怒之时，小君却在庭院中遇到来自“未来”的妹妹，并开启了穿越之旅，在家族之树的时空中，他和“未来”的妹妹一起，与童年的母亲、年轻时代的曾外祖父、甚至未来的自己相遇，在冒险中，小君领悟到不同形式的“家族之爱”。

《爱情与无政府》上映于1973年，是由丽娜·沃特穆勒执导，吉安卡洛·乔万尼和玛丽安吉拉·梅拉托主演的一部电影。故事背景定位于二战爆发前夕的法西斯意大利，男主角（吉安卡洛·乔万尼饰演）是一个无政府主义者，他潜伏在一家妓院伺机刺杀贝尼托·墨索里尼。男主角在策划刺杀期间，与妓院里的一位妓女坠入情网。影片表现出了男主角极端情绪化的爱与对法西斯主义的仇视，以及他对刺杀墨索里尼后有可能被杀的恐惧感。 　　《爱情与无政府》曾获1973年戛纳电影节金棕榈奖提名。男主演乔万尼荣获最佳演员奖。

《爱情与无政府》上映于1973年，是由丽娜·沃特穆勒执导，吉安卡洛·乔万尼和玛丽安吉拉·梅拉托主演的一部电影。故事背景定位于二战爆发前夕的法西斯意大利，男主角（吉安卡洛·乔万尼饰演）是一个无政府主义者，他潜伏在一家妓院伺机刺杀贝尼托·墨索里尼。男主角在策划刺杀期间，与妓院里的一位妓女坠入情网。影片表现出了男主角极端情绪化的爱与对法西斯主义的仇视，以及他对刺杀墨索里尼后有可能被杀的恐惧感。 　　《爱情与无政府》曾获1973年戛纳电影节金棕榈奖提名。男主演乔万尼荣获最佳演员奖。

THE FUTURE OF FOOD offers an in-depth investigation into the disturbing truth behind the unlabeled, patented, genetically engineered foods that have quietly filled U.S. grocery store shelves for the past decade. From the prairies of Saskatchewan, Canada to the fields of Oaxaca, Mexico, this film gives a voice to farmers whose lives and livelihoods have been negatively impacted by this new technology. The health implications, government policies and push towards globalization are all part of the reason why many people are alarmed about the introduction of genetically altered crops into our food supply. Shot on location in the U.S., Canada and Mexico, The Future of Food examines the complex web of market and political forces that are changing what we eat as huge multinational corporations seek to control the world's food system. The film also explores alternatives to large-scale industrial agriculture, placing organic and sustainable agriculture as real solutions to the farm crisis today. The Future of Food reveals that there is a revolution going on in the farm fields and on the dinner tables of America, a revolution that is transforming the very nature of the food we eat.

我将古代18，19，20世纪的人类关于21世纪的设想的蓝图进行了梳理(建筑，科技，城市规划，生活方式等) ，将人类未能按照计划在当下时间点上实现和放弃了的计划重构了一个平行世界 《丢失的未来》

我将古代18，19，20世纪的人类关于21世纪的设想的蓝图进行了梳理(建筑，科技，城市规划，生活方式等) ，将人类未能按照计划在当下时间点上实现和放弃了的计划重构了一个平行世界 《丢失的未来》